{"id":2423,"date":"2024-11-27T12:41:13","date_gmt":"2024-11-27T12:41:13","guid":{"rendered":"https:\/\/festoonmedia.com\/dev\/?page_id=2423"},"modified":"2025-01-16T06:37:32","modified_gmt":"2025-01-16T06:37:32","slug":"current-exhibitions","status":"publish","type":"page","link":"https:\/\/festoonmedia.com\/dev\/current-exhibitions\/","title":{"rendered":"Current Exhibitions"},"content":{"rendered":"\t\t
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Current Exhibitions<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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KEIKO YANAGISAWA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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du 14 janvier au 14 f\u00e9vrier 2025.
You will find the illustrations below.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Current Exhibitions<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Current Exhibitions<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Fred Lafourcade<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Paintings
From 12th November, 2024<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Motoko Saigo Ceramist<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In search of simplicity and lightness\u2026<\/p>

In his small workshop under the roofs of Paris, the Motoko Saigo pottery is handmade.<\/p>

The enamels, made to measure are constantly renewed and with the contribution of chance and a high temperature cooking, each piece is different.<\/p>

Both decorative and useful to enjoy the aesthetic pleasure in everyday life.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Freeda Miranda<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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N\u00e9e en Inde en 1980, Freeda \u00e9tudie l\u2019arch\u00e9ologie \u00e0 l\u2019universit\u00e9 St. Xavier\u2019s \u00e0 Mumbai.<\/p>

Install\u00e9e \u00e0 Paris depuis 2008, elle y d\u00e9couvre la c\u00e9ramique et l\u2019\u00e9tudie notamment au sein de l\u2019atelier Mire, aupr\u00e8s de Kayoko Hayasaki et Anne-Claire Martin.<\/p>

R\u00e9sidente \u00e0 la galerie Cavin-Morris (New York), elle s\u2019attache \u00e0 explorer diff\u00e9rentes techniques de modelage, de tournage et de cuisson pour retranscrire au mieux les mati\u00e8res r\u00e9sultant du passage du temps.<\/p>

Sa technique s\u2019inspire de l\u2019oxydation des m\u00e9taux antiques et de l\u2019\u00e9rosion des structures min\u00e9rales.<\/p>

Instagram
@freeda_miranda_ceramics<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Born in India in 1980, Freeda studied archaeology at St. Xavier\u2019s College, Mumbai.<\/em><\/p>

She discovered ceramics in Paris, where she is installed since 2008, under the tutorship of Kayoko Hayasaki and Anne-Claire Martin of Atelier Mire.<\/em><\/p>

Resident ceramist at the Cavin-Morris Gallery (NYC), she expresses herself through both wheel throwing and handbuilding as well as alternative firing techniques to showcase her interest in time worn patinas.<\/em><\/p>

Her work is inspired by the oxydation of antique metals and the erosion of mineral structures.<\/em><\/p>

Instagram<\/strong><\/em>
@freeda_miranda_ceramics<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Mami Kanno<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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N\u00e9e \u00e0 Tokyo et dipl\u00f4m\u00e9e de l\u2019Universit\u00e9 des Arts plastiques de Tokyo, Mami Kanno expose \u00e0 Paris, Tokyo et en Suisse depuis 2003. Ses \u0153uvres en gr\u00e8s, porcelaine et en Raku sont d\u2019une magnifique simplicit\u00e9. Elles revisitent les racines de la culture japonaise en int\u00e9grant une vision contemporaine. Au Japon, on nomme la face d\u2019un bol ou d\u2019une assiette le \u201cpaysage\u201d. Il est en harmonie avec le climat, la saison et l\u2019esprit du moment pr\u00e9sent. Le travail de Mami est aujourd\u2019hui soutenu par beaucoup des journalistes, chefs de restaurant \u00e9toil\u00e9 ainsi que des sp\u00e9cialistes de la c\u00e9r\u00e9monie du th\u00e9 traditionnelle.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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About our CBD and our\nlove for natural hemp products.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Our mission: To improve lives.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tThere are many variations of passages of Lorem Ipsum available, but the majority have sufferd alteration\nby injected humour or randomised words which don’t look even slightly believable XStore.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tOn the other hand, we denounce with righteous indignation and dislikes who are so beguiled demoralize the charms of pleasure of the moment, so blinded by desire, that they cannot foresee the pain and trouble that are bound to ensue; and equal blame belongs to those who fail.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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The core goal:<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t“Sed ut perspiciatis unde omnis iste natus sit voluptatem accusantium doloremque laudantium, totam rem aperia\u201d\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tJenish Desai – CO-Founder\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tOn the other hand, we denounce with righteous indignation and dislike men who are so beguiled and demoralized by the charms of pleasure of the momie so blinded by desire, that they cannot foresee the pain..\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tCan we prove it? Yes.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tBut I must explain to you how all this mistaken idea of denouncing pleasure and praisi pain was born and account of system.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Our vision & values<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tOn the other hand, we denounce with righteous indignation and dislike men who are so beguiled and demoralized by the charms of pleasure of the momie so blinded by desire, that they cannot foresee the pain and trouble that are bound to ensue blame. Xstore\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tSed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventor veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatatur aut oditaut fugitsed.\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tSed ut perspiciatis unde omnis iste natus error sit voluptatem accusan.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Our team members<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jenish Desai<\/h4>

Director<\/h5>
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Sales Manager<\/h4>

Director<\/h5>
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Alex Leeman<\/h4>

Co-Founder<\/h5>
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\r\n\r\n \r\n <\/i>\r\n Facebook<\/span>\r\n <\/a>\r\n \r\n <\/i>\r\n Twitter<\/span>\r\n <\/a>\r\n \r\n <\/i>\r\n Instagram<\/span>\r\n <\/a>\r\n \r\n <\/i>\r\n Skype<\/span>\r\n <\/a>\r\n \r\n <\/div>\r\n\r\n \t\t <\/div>\r\n\t\t <\/div>\r\n\r\n\t \t
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Sophia Lauren<\/h4>

Marketing<\/h5>
<\/div>\r\n\t\t\t \t<\/div>\r\n\r\n\t\t \r\n\t \t<\/div>\r\n\r\n\t \t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Current Exhibitions KEIKO YANAGISAWA du 14 janvier au 14 f\u00e9vrier 2025.You will find the illustrations below. Current Exhibitions Current Exhibitions Fred Lafourcade PaintingsFrom 12th November,…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2423","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/festoonmedia.com\/dev\/wp-json\/wp\/v2\/pages\/2423","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festoonmedia.com\/dev\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/festoonmedia.com\/dev\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/festoonmedia.com\/dev\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/festoonmedia.com\/dev\/wp-json\/wp\/v2\/comments?post=2423"}],"version-history":[{"count":44,"href":"https:\/\/festoonmedia.com\/dev\/wp-json\/wp\/v2\/pages\/2423\/revisions"}],"predecessor-version":[{"id":3797,"href":"https:\/\/festoonmedia.com\/dev\/wp-json\/wp\/v2\/pages\/2423\/revisions\/3797"}],"wp:attachment":[{"href":"https:\/\/festoonmedia.com\/dev\/wp-json\/wp\/v2\/media?parent=2423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}